Passes the Bechdel test
Klute
1971. Directed by Alan J. Pakula, written by Andy Lewis and David E. Lewis.
The Bechdel test
Bechdel score
3 / 3
Passes
-
Yes
1. At least two women
13 women characters. 9 of them speak. -
Yes
2. Who talk to each other
In 2 scenes out of 165. -
Yes
3. About something besides a man
In those scenes, our script parser found no man named. See the scene.
Second opinion
Agree bechdeltest.com readers give it 3 out of 3.
The film
Six months after the disappearance of Tuscarora, PA businessman Tom Gruneman, his boss, Peter Cable, and his wife, Holly Gruneman, enlist Tom's friend, local police officer John Klute, to find out what happened to Tom, as the police have been unable to do so, and despite John having no expertise in missing persons cases. The only lead is a typewritten obscene letter Tom seems to have written to Manhattan actress/model/call girl Bree Daniel, who admits to having received such letters from someone, and since having received several mysterious telephone calls as well. The suggestion/belief is that Tom was one of Bree's past johns, although she has no recollection of him when shown his photograph. Bree's tricking is both a compulsion and a financial need. In their initial encounters, John and Bree do whatever they can to exert their psychological dominance over the other, especially as Bree initially refused to even speak to him. Despite their less than friendly start, they embark on a personal relationship based on emotional need, but it is a relationship Bree tries to sabotage because of those same issues which causes her to turn tricks. As they follow the leads through Bree's call girl world, they know they're getting close to finding the truth when someone continues to torment Bree. They believe the key to Tom's disappearance is a violent john who tried to kill her a few years earlier when Tom disappeared but who she doesn't remember. The questions become whether John and Bree can discover his identity and stop him before he tries to kill Bree again, and whether there is a future for them together.
- Released
- 25 Jun 1971
- Genres
- Crime, Mystery, Thriller
- Rated
- R
- IMDb
- 7.1 / 10
- Metascore
- 81 / 100
- Awards
- Won 1 Oscar. 9 wins & 5 nominations total
- Elsewhere
- View on IMDb
Starring, by lines spoken
- Women
- Men
- Not in the cast list
- Bigger name, more lines
- Bree 244 lines, woman
- Klute 224 lines, man
- Cable 61 lines, man
- Trask 38 lines, man
- Ross 23 lines
- Frank 16 lines, man
- Arlyn 13 lines, woman
- Spangler 13 lines, man
- Berger 9 lines, man
- Bree Voice 7 lines
Full cast, 36 people
- Jane Fonda as Bree Daniels
- Donald Sutherland as John Klute
- Charles Cioffi as Peter Cable
- Roy Scheider as Frank Ligourin
- Dorothy Tristan as Arlyn Page
- Rita Gam as Trina
- Vivian Nathan as Psychiatrist
- Nathan George as Trask
- Morris Strassberg as Mr. Goldfarb
- Barry Snider as Berger
- Anthony Holland as Actor's Agent
- Richard B. Shull as Sugarman
- Betty Murray as Holly Gruneman
- Jane White as Janie Dale
- Shirley Stoler as Momma Reese
- Fred Burrell as Man in Hotel
- Jean Stapleton as Goldfarb's Secretary
- Robert Milli as Tom Gruneman
- Mary Louise Wilson as Producer in Adv. Agency
- Marc Malvin as Asst. Prod. in Adv. Agency
- Jan Fielding as Psychiatrist's Secretary
- Antonia Rey as Mrs. Vasek
- Robert Ronan as Director in Little Theatre
- Richard Russell Ramos as Asst. Dir. in Little Theatre
- Tony Major as Bill Azure (uncredited)
- Sylvester Stallone as Club Patron (uncredited)
- Jerome Collamore as Custodian (uncredited)
- Candy Darling as Discothèque Patron (uncredited)
- Harry Reems as Discothèque Patron (uncredited)
- Joe Silver as Dr. Spangler (uncredited)
- Lee Wallace as Goldfarb Jr. (uncredited)
- Kevin Dobson as Man at Bar (uncredited)
- Richard Jordan as Man Kissing Bree in Night Club (uncredited)
- Veronica Hamel as Model (uncredited)
- Rosalind Cash as Pat (uncredited)
- Ellen Stretton as Woman at Bar (uncredited)
Who talks, scene by scene
Lines of dialogue in every 4 scenes, start to finish. Women above the line, men below. 9% of lines come from characters we couldn't match to the cast list and aren't shown.
Women
Men
Scene 1 Scene 165
Hover, tap or tab to a bar to see those scenes: where they happen and who's talking.
Show the numbers
| Scenes | Women's lines | Men's lines |
|---|---|---|
| 1 to 4 | 2 | 9 |
| 5 to 8 | 0 | 6 |
| 9 to 12 | 1 | 7 |
| 13 to 16 | 4 | 0 |
| 17 to 20 | 2 | 0 |
| 21 to 24 | 0 | 0 |
| 25 to 28 | 10 | 10 |
| 29 to 32 | 0 | 0 |
| 33 to 36 | 4 | 4 |
| 37 to 40 | 2 | 5 |
| 41 to 44 | 1 | 11 |
| 45 to 48 | 1 | 0 |
| 49 to 52 | 11 | 7 |
| 53 to 56 | 6 | 2 |
| 57 to 60 | 33 | 25 |
| 61 to 64 | 0 | 0 |
| 65 to 68 | 4 | 6 |
| 69 to 72 | 4 | 20 |
| 73 to 76 | 28 | 17 |
| 77 to 80 | 23 | 6 |
| 81 to 84 | 9 | 6 |
| 85 to 88 | 5 | 5 |
| 89 to 92 | 19 | 9 |
| 93 to 96 | 1 | 16 |
| 97 to 100 | 0 | 14 |
| 101 to 104 | 17 | 17 |
| 105 to 108 | 0 | 0 |
| 109 to 112 | 10 | 7 |
| 113 to 116 | 5 | 45 |
| 117 to 120 | 6 | 5 |
| 121 to 124 | 27 | 37 |
| 125 to 128 | 0 | 43 |
| 129 to 132 | 3 | 9 |
| 133 to 136 | 1 | 0 |
| 137 to 140 | 0 | 1 |
| 141 to 144 | 0 | 2 |
| 145 to 148 | 4 | 0 |
| 149 to 152 | 3 | 6 |
| 153 to 156 | 11 | 10 |
| 157 to 160 | 5 | 11 |
| 161 to 164 | 14 | 15 |
| 165 to 165 | 3 | 0 |
The evidence
- Straight from the script
- Counted from the script and the credits
Tap an exhibit to open it.
Exhibit A: the passing scenes
The scene our parser counted as passing, word for word.
BREE: -- Why? BREE: Why -- please, why? -- Why lose, why look? Why hate and give and want and love? Why get, grieve, g -- JANG: Thank you very much. BREE: -- gug -- gug --
ARLYN: Cappy? BREE: Arlyn? Honey? Look, it's all right.
Exhibit B: every 100 lines
Out of every 100 lines with a known speaker, 42 are women's.
279 lines from women, 393 from men.
- Women
- Men
Exhibit C: who's in it
13 women and 21 men in the cast. 9 women and 11 men from it get lines.
Characters
With lines
- Women
- Men
Exhibit D: who gets heard
The first woman speaks at line 18 of 740.
The longest stretch with no woman speaking runs 47 lines.
Every line of dialogue, first to last
- First line by a woman
- Longest stretch with no woman speaking
Words spoken
Women speak 46% of the words (4,078), men 54% (4,692). Women have 42% of the lines, so their lines run longer than men's.
Exhibit E: the test the other way
Two named men talk to each other about something besides a woman. It passes the reverse test.
Conversations between two named characters
Two women
4
Two men
17
Exhibit F: behind the camera
1 of the 9 people in these jobs is a woman.
Across the whole crew, 7% of the people whose gender is listed are women.
- Directed by
- Alan J. Pakula (man)
- Written by
- David E. Lewis (man), Andy Lewis (man)
- Produced by
- Alan J. Pakula (man)
- Shot by
- Gordon Willis (man)
- Edited by
- Carl Lerner (man)
- Music by
- Michael Small (man)
- Costumes by
- Ann Roth (woman)
- Cast by
- Alixe Gordin (gender not listed)
The crew, department by department
-
Production
0 women, 1 men, 5 not listed
-
Art
0 women, 3 men, 1 not listed
-
Costume & Make-Up
1 women, 1 men, 2 not listed
-
Directing
0 women, 2 men, 1 not listed
-
Camera
0 women, 2 men
-
Editing
0 women, 1 men, 1 not listed
-
Sound
0 women, 2 men
-
Writing
0 women, 2 men
- Women
- Men
- Gender not listed on TMDB
Exhibit G: how old the stars were
Women: 42 on average. Men: 42 on average.
The top-billed cast, at the film's release.
Women
Jane Fonda 33, Dorothy Tristan 37, Rita Gam 44, Vivian Nathan 54
Men
Nathan George 34, Donald Sutherland 35, Charles Cioffi 35, Roy Scheider 38, Barry Snider 38, Morris Strassberg 74
Exhibit H: the money
It made 5.0 times what it cost.
- Budget
- $2.5 million
- Box office
- $12.5 million
From TMDB, not adjusted for inflation.
About this analysis
Our parser read the script: 165 scenes and 740 lines of dialogue. The bechdeltest.com rating comes from that site’s readers. How the test works